“Chen Mino-Lino, a Modern Feminist Artist—Clearly Expressing a Rational Artistic View of Existence“」
《空谷響》陳妙玲 2026 油畫創作個展
Echo Chen Mino-Lino 2026 Solo Exhibition
時間/2026.10.4～10.31
新青蛙藝術 (I 發現 )Neo Frog Art ( | Discovery)
地點/「新青蛙藝術畫廊」The neo Frog Art Gallery
位置/404臺中市北區育德里育德路30號
《現代女性自由主義的藝術家陳妙玲—清楚表達存在自我理性藝術觀》
進入藝術家陳妙玲 2026 創作《空谷響》
存在面對的不是單一圖繪
更是一種相對絕對的秩序鋪陳
或是一種現代圖騰意識的秩序編排
卻也是一種存在人文淨化過後的單純
而如此出自一位而有浪漫敏銳的女性藝術家陳妙玲
如此是一女性內在思維的疏理
還是一種存在現代而有的秩序性的理性
而是由一位女性藝術家來表達
離開人文存在的既有
掃過印象的記憶
成為21世紀超越記憶閱讀而有
而此存在圖像圖騰印象
非是當代藝術而有
而是混沌接續文明而有的印象美學
而存在當地的理性看似去蕪存菁
實則是一沉澱的內在意識
進入存在原形單一而有的表現
藝術家陳妙玲如此說：「靈感源自齊白石蛙聲如「蝌蚪游於山谷」的妙趣，本次展覽打破傳統白盒子框架，在充滿音樂與人文溫度的空間裡，展開一場獨特的空間對話。」
如此一種意諭青蛙蛙鳴的虛擬實境
讓我們瞧見了一群秩序理性圖案蛙靈
在這人間角落
一場接一場鳴奏著蛙聲的奏鳴曲
在如此確確稍帶靦腆羞澀的群集
扮演出一齣齣新青蛙藝術的舞臺劇場
只是如此靜置存在作品
卻走位於新青蛙藝術空間的老磚牆上
如此在一個如似愛麗絲的夢
宛如小甜甜幼小心靈面對了現實一般
而生命如有的一切坦白
卻也對現實存在充滿了無數憧憬
在此藝術家陳妙玲簡略如潔的女體
有一個純粹而有夢思少女花園的夢
減掉亮麗燦爛的福華
但是那份少女的哀思舞衣的穿載還是有
卻不知長夜夢中藝術家能夠勾欄如何的夢
少女的成熟漸離聖女愛的神聖
一個看似美麗遠景自由的架築圖繪
更彰顯存在生命而有的蹉跎
但是如此一位女性藝術家陳妙玲
卻一副理性自若展現自我意識清楚的傳達
在在一個現代女性文人女性心靈的自由主義者
變現的或許還是女體存在的彰顯
但如此女體進化類圖騰圖案的表現
確實是一個藝術創作者陳妙玲
藝術創作極致創作進化衍生而有的成果
陳妙玲簡歷 1968年 台灣嘉義市
學歷： 國立臺灣藝術大學（前國立藝專）畢業
師承： 陳哲、黃照芳、陳政宏、曹根等台灣前輩藝術家
國際經歷： 曾多次四度旅居與遊學於巴黎、尼斯、柏林、慕尼黑、維也納、赫爾辛基（芬蘭）、奧地利、佛羅倫斯及紐約等歐洲與北美城市，汲取西方生活氛圍與美學。
國內外重要獲獎紀錄
陳妙玲在國內外競賽中累積獲得12項首獎，重要殊榮包含：
國際成就： 2017年入選義大利羅馬曼托瓦國際雙年展「世界百大優秀成就藝術家」，並榮獲義大利安德列阿．曼帖那國際藝術獎、佛羅倫斯達文西國際藝術獎，以及美國藝術獎第二名、美國 Still Point Arts Quarterly 第一名與加拿大、美國Gallery Ring等獎項。
國內獎項： 曾獲第75屆台陽美展金牌獎、中部美術展第一名、磺溪獎及臺東美展兩度第一名。
參展與個展經歷 國際大展： 曾受邀參與義大利佛羅倫斯雙年展、紐約藝術博覽會、德國及美國主題展。
代表個展： 包含2018年嘉義市立博物館「福祿壽囍」個展及2021年大美無言藝術空間「【女人的樣態】」個展。
“Chen Mino-Lino, a Modern Feminist Artist—Clearly Expressing a Rational Artistic View of Existence"
Entering artist Chen Miaoling’s 2026 work, “Echoes in the Valley," we see not just a single image, but a relatively absolute arrangement of order, or perhaps an arrangement of modern totemistic consciousness, yet also a simplicity born from the purification of humanism. This is the work of a romantic and perceptive female artist, Chen Miaoling. Is it a woman’s inner reflection, or a rational order inherent in modern existence? It is expressed by a female artist.
Leaving behind the existing sense of hunger and the memories that have been swept away, this work transcends the reading of memory in the 21st century. This imagery and totemistic impression is not contemporary art, but rather an impressionistic aesthetic born from the continuity of civilization. The rationality of the local context, seemingly refining the essence, is actually a sedimented inner consciousness, entering into a singular expression of the original form of existence.
Artist Chen Miaoling says: “The inspiration comes from Qi Baishi’s description of frog sounds like ‘tadpoles swimming in a valley.’ This exhibition breaks the traditional white box framework, unfolding a unique spatial dialogue in a space filled with music and humanistic warmth." “This kind of virtual reality, evoking the croaking of frogs, allows us to see a group of orderly and rationally patterned frog spirits. In this corner of the world, one after another, they play a sonata of frog croaks. In this truly shy and reserved group, they perform a series of new frog art theatrical performances. These works, existing statically, stand on the old brick wall of the New Frog Art Space.
In this dreamlike Alice, like a young girl facing reality, life is honestly revealed, yet filled with countless aspirations for existence. Here, artist Chen Miaoling’s simple, pure female form holds a pure and dreamy girl’s garden dream." The radiant beauty of Fuhua fades, but the sorrow of a young girl still lingers in her dance costume. Yet, one wonders what dreams the artist can conjure in the long night.
The girl’s maturity gradually distances her from the sacredness of saintly love. A seemingly beautiful and free-flowing architectural depiction further highlights the wasted potential of life.
However, this female artist, Chen Miaoling, displays a rational and composed demeanor, clearly conveying her self-awareness. As a modern female writer and a libertarian of the female soul, perhaps what she expresses is still the manifestation of the female body.
But this evolutionary totem-like depiction of the female body is indeed a result of the ultimate evolutionary creation of artist Chen Miaoling.
Chen Miao-ling’s Biography: Born in Chiayi City, Taiwan in 1968.
Education: Graduated from National Taiwan University of Arts (formerly National Academy of Arts).
Mentorship: Senior Taiwanese artists such as Chen Zhe, Huang Zhaofang, Chen Zhenghong, and Cao Gen.
International Experience: She has lived and studied in Paris, Nice, Berlin, Munich, Vienna, Helsinki (Finland), Austria, Florence, and New York on four separate occasions, absorbing Western lifestyles and aesthetics.
Important Awards and Recognition: Chen Miao-ling has accumulated 12 first prizes in domestic and international competitions. Notable accolades include:
International Achievements: In 2017, she was selected as one of the “World’s 100 Most Outstanding Artists" at the Rome Mantua International Biennale in Italy, and received the Andrea Mantegna International Art Prize (Italy), the Leonardo da Vinci International Art Prize (Florence), second place in the American Art Prize, first place in the Still Point Arts Quarterly (USA), and awards from the Canadian and American Gallery Rings. Domestic Awards: Gold Medal at the 75th Taiyang Art Exhibition, First Place at the Central Taiwan Art Exhibition, Huangxi Award, and First Place twice at the Taitung Art Exhibition.
Exhibition and Solo Exhibition Experience: International Exhibitions: Invited to participate in the Florence Biennale in Italy, the New York Art Fair, and themed exhibitions in Germany and the United States.
Representative Solo Exhibitions: Includes the 2018 solo exhibition “Fortune, Prosperity, Longevity, and Happiness" at the Chiayi City Museum and the 2021 solo exhibition “【The State of Women】" at the Da Mei Wu Yan Art Space.
